Nikita Maheshwary (pictured), contemporary choreographer and performer from New Delhi currently residing in the Netherlands, inaugurates Friday 30 September the festival at the Auditorium del Goethe Institutpresenting in the national premiere Me & You: In a Dialogue.
The Gruffalò, at the Manzoni Theater in Milan, the first stop on the tour in Italy
Me & You: In a Dialogue by Nikita Maheshwary is a collective reading (pictured), in which the public is invited to sit around a table and read aloud a series of letters, an expedient to meditate on topics such as care, guilt, limit, motherhood andchanging identity of a woman.
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At the end of the performance, Nikita Maheshwary meets the anthropologist Giulia Grechiof the Accademia di Belle Arti di Brera (pictured), with whom he talks about the creative process of an artist, the poetics and the questions raised during the show.
Exodus, the show of the NoGravity acrobatic dancers at the Menotti Theater in Milan
After the reflections of Me & You: In a Dialogue by Maheshwary (pictured), the second day of Interactions hosts Monuments & Flagsan exhibition dedicated to video art and video performance. Prélude from Isabella Gaffè and Salvo Lombardo it traces the Italian iconography from the post-unification era to today, and to follow Veiled of the artistic duo composed of Ginevra Panzetti and Enrico Ticconi.
Alessandro Cattelan makes his debut in the theater staging his funeral in “Salutava semper”
In Veiled the object of the flag is used in such a way as to evoke an ancient brotherhood with another textile object: the shroud (pictured). Continue with Fake News of the visual artist Daniele Spanò And Ouch, fallen of the collective Dehors Audelafounded by Elisa Turco Liveri and Salvatore Insana.
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“Ouch, fallen” is a fragment of a transmedia project (pictured) carried out in the city of San Donà di Piave to investigate the elements of greatest identity pride: in fact, near the Piave bridge, there is an almost exact copy of the monument to the bersagliere erected in 1932 in Rome, in Porta Pia.
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With video Wasn’t built in a day (in the picture), Salvo Lombardo and Daniele Spanò they investigate the representation of power, which has its roots in classicism, through aesthetic canons linked to the identity of Italian culture. Elena Bellantoni instead it entitles Sokratis his work on the world of football starting with the shirt of the captain of the Greek national team Sokratis.
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In Reproduction (of strangeness and hope) the Berliner Carsten Saeger explore the history of the bust of Patrice Lumumba, a symbolic figure of the independence movement of African countries, erected in 1961 in Leipzig and then stolen in ’97. In the photo, another fragment of Wasn’t built in a day.
Exodus, the show of the NoGravity acrobatic dancers at the Menotti Theater in Milan
Homo Homini Lupus is the work by the visual artist Filippo Berta, an allegory that claims the reasons of the state of nature over the rule of law, overturning the assumption of the philosopher Thomas Hobbes. Berta’s work perfectly matches the intent of the second edition of Interazioni: to research truly contemporary forms and languages, in balance between aesthetics and politics.
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The last screening of Monuments & Flags bears the signature of Mohamed Abdelkarim, performer and researcher who lives and works between Cairo and Maastricht. His video-work I Almost Forgot the Roving Body … Let’s Call It the Future (pictured) is a fragment of an emigration trip to the north led by a drone. Abdelkarim will also star in Different Bodies, One Tongue and Loose Destinya national premiere performance based on a narrative narrative mode that moves between poetry, song and text.
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For the third day the Interactions Festival moves to Palladium Theater where three open dance classes will take place in urban form, designed by Anna Basti: Le classique c’est chic! To follow, Professor Alessandro Pontremoli of the University of Turin will be the protagonist of a talk entitled at the Villetta Social Lab Re-discuss the royalties. Redefine dance. In the photo, another image of Mohamed Abdelkarim’s video-opera.
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Another national first is that of the Samoan dancer Aloalii Tapuwhich presents The Goldberg Variations – Dancing Like a White Guy (pictured) by the Berlin director and choreographer Christoph Winklerwhose work ranges from very personal to more political themes.
“The man who dances”, at Castel Sant’Angelo the show with Capucci’s costumes. PHOTO
The piece that Winkler create with Tapu (pictured) reflects his personal biography: raised in the suburbs of Auckland, he approached, through hip hop, contemporary dance in the context of his community where the dance is considered the prerogative of white men.
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Fabritia D’Intino presents CANCAN – second study (in photo), performance danced with Cesare Benedetti and Riccardo Guratti. Starting from the festive imagery of the can-can dance, this work offers a lateral glimpse into the relationship between entertainment, eroticism and virtuosity.
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Tuesday 4th Octoberat the Palladium Theater, Elisabetta Consonni stages Special Handling (in the photo), also repeated on Wednesday 6, installation-performance: one spectator at a time enters a tent that becomes a place and time for listening and circulation of the unconventional knowledge.
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At the Villetta Social LAB, on the other hand, there is the talk by Maria Paola Zedda and Elisabetta Consonni by title The alliances of bodies: poetics and politics of care. In the evening at the Palladium Theater the dancer Irene Russolillo is the protagonist of Where is it deeper, a show made of corporeality, sound and images in which overlapping narratives coexist. In the picture, Special Handling by Elisabetta Consonni.
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Wednesday 5th October it replicates Special Handling by Elisabetta Consonni (in the photo) and to follow the Scottish artist Claire Cunninghamin the open spaces of the Villetta Social LAB, converses with Diana Anselmo and Flavia Dalila D’Amico from Al.Di.Qua Artiststhe first Italian trade association of workers with disabilities in the entertainment industry.
Drought, the cast of Paolo Virzi’s film
All time Claire Cunnigham is on the stage of the Palladium Theater with the national premiere lecture performance 4 Legs Good (pictured), a work in which the multidisciplinary artist explores the links between use and abuse, study and distortion in the use of crutches.
Triangle of Sadness, the Italian trailer of the film that won the Palme d’Or at Cannes
The last appointment of the day is with the writer, director and director of photography Valeria Testagrossa, who with his cinema explores the connection between small intimate stories and the social context. The documentary Irrawaddy Mon Amour closely follows the preparations of a gay marriageorganized in secret in Burma between young Soe Ko and Saing KoI.
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Thursday 6th October the workshop Who gets off to a good start is half the battle is at the Palladium Theater: the author is the protagonist Marta Olivieri and the Portuguese singer Juliana Azevedo, graduated from the Conservatorium in Amsterdam. In the picture, Irrawaddy Mon Amour by Valeria Testagrossa.
Patrick Dempsey, the photos on the set of the Ferrari film
Also at the Palladium Theater there are the dancer Daria Greco and the photographer Jacopo Ruben Dell’Abate with their [parentesi] (in the picture). Between a durational performance and an installation, [parentesi] it is a succession which underlines the irreproachable character of the excitement and the permeability of the truce.
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The evening is the time of the dancer Laura Pante (pictured), who interprets the green work of the French choreographer Jérôme Belan experiment on the political meaning that theater can have.
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Beercock (pictured), Anglo-Italian performer, singer, musician, poet and theater actor, leads to the festival Human Ritesmusical performance that takes its name from his second album, considered by critics one of the most impactful albums of 2020. The body-beats sampled live via the loop-station, are an ideal bridge between the urban influences of electronic music and the Afro-American and Sub-Saharan music that inspired it.
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To the Interactions festival there is also room for the silent disco, at the spaces of the Villetta Social Lab, a moment that will accompany the customers towards the last day of appointments. The grand finale is reserved for Recreationthe event at the Ostudio organized by the artists of the Rome Torpignattara cohabitation project.
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The shows are all a free admission with reservation recommended, except those at the Palladium Theater which are for a fee. For information, you can also consult the official Facebook page of the event. In the picture, Heraldry from Enrico Ticconi.
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“The panorama of approaches, artistic languages and completely peculiar positions proposed – explains the artistic director Except Lombardo – is the result of a complex field of forces aimed at amplifying questions, questions, criticisms and problems of our time, which from the sphere of language burst into that of political thought and action ”. In the picture, Laura Pante during her dance show.
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Concerts, film screenings, workshops, dissemination projects and moments of conviviality. L’2022 edition of Interactions confirms its international vocation, welcoming artists from the performing arts from all over the world: Italy, Germany, New Zealand, India, Egypt, Holland, Portugal, France and the United Kingdom. In the picture, Irene Russolillo in his show Where is it deeper.
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Source-tg24.sky.it