Opera di Roma, tribute to Zeffirelli with Pagliacci by Leoncavallo. PHOTO

In the centenary of the birth of Franco ZeffirelliThe Rome Opera House remember the great master with one of his most loved shows: clowns Of Roger Leoncavallo

Les contes d’Hoffmann at La Scala with the shadows and magic of Livermore

The staging, on stage from 12 to 19 March, was created in 1992 specifically for the Rome Opera, and has been revived ever since with great success. After Opera lesson held by John Bietti and thePreview Youth of March 11, which were followed by the Before of 12 March also broadcast deferred on Radio3 Rai, le replicas they will end Saturday 18 (6pm) e sunday 19 (4.30 pm)

Beatrice Quinta illuminates the Teatro Principe in Milan

The extreme passions of love and hate of Leoncavallo’s masterpiece are entrusted to the reading of Daniel Orenwho returns to conduct the Capitoline Opera Orchestra after thirteen years of absence

Checco Zalone, the show “Amore + IVA” lands in Matera: the dates

Much loved in Rome, where he directed more than thirty works starting in 1979, Oren was also on the podium at the premiere of this production

Stranger Things, the prequel is staged at the theater in London at the end of the year

There direction Of Franco Zeffirelliwho also signed the sets, is taken from Stephen Trespidi. The colorful ones costumes I’m from Raimonda Gaetaniwhile the lights are drawn by Vinicio Cheli

At the debut “Lazarus”, the play by David Bowie with Manuel Agnelli

In the sensual part of Nedda-Colombina they are busy Nino Machaidze And Valeria Sepe (March 16 and 18)

Jacopo Tissi and Olga Smirnova, two stars of the Bolshoi at the Rome Opera

The husband and manager Canio-Clown is played by Brian Jagdeat the double debut in Rome and in the role, and from Luciano Hooks (March 14, 16, 17 and 19)

Paolo Conte, for the first time a singer-songwriter at La Scala

The hunchback and vengeful Tonio-Taddeo is embodied by Amartuvshin Enkhbat And Roman Burdenko (March 16 and 19)

La Scala opens its on-demand channel and becomes global TV

Matthew Falcier gives voice to the mild Beppe, Victor Prato to the lover Silviowho like Nedda is killed by Canio’s dagger

Scala, Dawson/Duato/Kratz/Kylián: 4 dance masterpieces on stage

The drama with a verist imprint, in a prologue and two acts, debut The May 21, 1892 to the Dal Verme Theater in Milan

Loredana Bertè in concert, a tour in theaters is coming in 2023

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Photo by Fabrizio Sansoni – Rome Opera

The work is set in the suburbs of a degraded southern city of Italy of the sixties

The bloody history of jealousy which mixes fiction and reality

The story continues in an alternation of pathetic, grotesque and sentimental accents, in the representation of a company of actorsjugglers and acrobats, arrived aboard a camper

“The verist atmosphere of the clowns” he had declared Zeffirelli at the time of the creation of the show “allows this “Verist” updating taking into account that the work is precisely entitled clownsas if to say that for Leoncavallo we are all a bit of a clownThat the world itself is a farce”

“Curiously it is the same vision that the old Verdi proposes in the finale of Falstaff: “The whole world is a joke”. With one fundamental difference: that for Verdi it is a real joke, whereas clowns I am a very painful adventure of blood and love”